| Reverie. |
00:00:01.413 - 00:00:02.647 |
| A virtual reality program |
00:00:02.682 - 00:00:04.148 |
| where the impossible becomes possible. |
00:00:04.183 - 00:00:05.983 |
| Anything you desire you can find here. |
00:00:06.924 - 00:00:09.249 |
| But sometimes, people get lost. |
00:00:09.790 - 00:00:12.424 |
| Caught between fantasy and reality. |
00:00:12.459 - 00:00:15.127 |
| That's where she comes in. |
00:00:15.162 - 00:00:16.561 |
| Her name is Mara Kint. |
00:00:16.597 - 00:00:18.731 |
| HER JOB: find the lost ones
and bring them home. |
00:00:18.766 - 00:00:23.035 |
| And maybe by saving them, |
00:00:23.070 - 00:00:25.704 |
| she just might find a way
to save herself. |
00:00:25.739 - 00:00:28.370 |
| [DOORKNOB CLICKS] |
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| [SWEEPING ORCHESTRAL MUSIC] |
00:00:29.509 - 00:00:32.711 |
| ♪ ♪ |
00:00:32.746 - 00:00:36.748 |
| Previously on "Reverie." |
00:00:38.285 - 00:00:39.951 |
| - Chris?
- Hi, Mara. |
00:00:39.986 - 00:00:41.219 |
| Good guy. He and Mara worked |
00:00:41.254 - 00:00:42.220 |
| a few cases together. |
00:00:42.255 - 00:00:43.221 |
| Were they a couple? |
00:00:43.256 - 00:00:44.391 |
| You know me better than to
expect an answer to that. |
00:00:44.426 - 00:00:46.327 |
| I thought you were an
investor in Onira-Tech. |
00:00:46.328 - 00:00:47.929 |
