Excuse me. |
00:01:51.900 - 00:01:52.900 |
where is the... |
00:01:54.100 - 00:01:55.100 |
Yes, here. |
00:01:55.800 - 00:01:57.400 |
--Thanks.
--Be careful. |
00:01:57.500 - 00:01:59.000 |
"DO NOT RELEASE THE ROPE TO ME ATA ..." i> |
00:02:07.800 - 00:02:10.800 |
Hey, excuse me ... |
00:02:11.800 - 00:02:13.100 |
"... YOUR SOUL" i> |
00:02:15.000 - 00:02:17.400 |
Yes, who is? |
00:03:14.800 - 00:03:16.000 |
Hello |
00:03:28.000 - 00:03:29.300 |
But what luck I have. |
00:03:42.600 - 00:03:43.800 |
Good night, sweet.
Rest. |
00:06:02.700 - 00:06:05.200 |
Sure |
00:12:28.500 - 00:12:29.800 |
Of course. |
00:12:30.500 - 00:12:31.800 |
Angie is dead.
My name is now Tetro. |
00:13:08.400 - 00:13:10.900 |
--Hello, Tetro!
Good morning. |
00:13:26.000 - 00:13:27.900 |
--How are you?
--Whats up? |
00:13:28.000 - 00:13:29.300 |
--Hello, Tetro, how are you?
--Hello. |
00:13:45.300 - 00:13:48.000 |
--How are you?
--Silvana! |
00:13:49.500 - 00:13:51.400 |
"Okay?
--This is my friend Benjamin. |
00:13:51.500 - 00:13:54.900 |
Well, my friend too. |
00:13:55.000 - 00:13:57.200 |
How are you?
Now come, yes. |
00:13:58.200 - 00:14:00.200 |